Every year
dozens of romantic films are released like emotional weapons of mass
destruction, spreading their mediocrity like so much toxic sludge and burying
what could have been a sweet film. Am I too harsh? Perhaps, but call me crazy
if I don’t buy into most of the crappy sappy romantic films that Hollywood
perpetuates. Take, for example the silly eighties romantic comedy Can’t Buy
Me Love, a sweet romance with a nice big heart but which is far from great
and certainly doesn’t deserve to be much more than an oddity to be fond of in
passing. It sure as hell didn’t deserve to be remade this past year and
released as a sort of black take on the same tale. And why? The hell of it is
that to to much Hollywood romantic films are just a quick way to make a quick
buck, and that’s a shame. Though I am not one to gravitate towards romantic
films, there are some very sweet, very honest, very wonderful films that are
essentially romances but just seem to fall through the cracks as such. Eternal
Sunshine is one such film, and one that I really hope more people get a
chance to see on video.
Having
just lost the love of his life in a break-up that has left him paralyzed with
heartache and self-doubt. And when he finds out that she has had him erased
from all of her memories by a strange company called Lacuna, Joel decides to
have the same procedure done in order to remove this woman he has lost from
every moment of his past. That night Joel is given a pill to take and when he
has passed out from it and is safely asleep two bumbling technicians slip into
his apartment and set up the computers that will erase all memory of Clementine
by the time morning arrives. At first things progress smoothly, the memories
falling one by one and Joel, living in these dying memories, are happy to see
them go. At first… But as the memories fall one unto the next into nothingness
Joel realizes that, problems though they may have had, he doesn’t want to lose,
if nothing else, his memories of Clementine. There is no way for him to stop
the process once it has begun though so Joel tracks down Clementine in one of
his memories and takes her so they can hide in one of his more obscure memories
that is not associated with Clem so that perhaps he can hold onto one last
thought of her. Seeing this phenomenon as a glitch in their system though the
tech people contact the doctor who created the process of memory erasure and
then it is a race between Joel and the doctor to see whether Joel can retain
one last emotional vestige of the woman he has loved and lost before losing her
forever.
Though the plot may seem very
simplistic, don’t be fooled by the plot synopsis, screenwriter Charlie Kaufman,
a very good scriptwriter, has created his best film yet. He takes the idea
of a break up and twists it into so many directions that it’s hard to quite
know what to think. The film plays with time, with perception, with truth, and finally
with the idea of true love. The film asks questions of the audience that I haven’t
often seen in the movies and while it gives us answers, none come easily. These
are not two adorable people, they are two completely screwed up people that
find something beautiful in one another and learn to love one another. But their
love is not the ideal we so often see in movies, there is bickering, and anger,
and accusations, but there too is beauty and love and sweetness. The
relationship between Jim Carrey and Kate Winslet is so
heartbreaking and wonderful at the same time that you aren’t sure what you
want, if you want him to lose her and all of his memories of her, or to retain
something, even if it’s painful, so he still has a memento of this incredible
woman. There is also a wonderfully big heart in this film, something that I had
not really seen to any great degree in Kaufman’s other films. The idea
at the heart of this film is whether there is true love, and if so, if it
exists in memory, or in the ‘soul’. We are given two cases of this, one for
good and one for ill, both showing the dangerously addictive qualities love
contains. There is also a very nice sub-plot about someone trying to ‘trick’
Clementine into loving him using the mementos that Joel had been told to bring
to the Lacuna offices in order for the doctors to create a better picture of
his brain activity. This brings up the idea of whether it’s the words and
things someone uses to whoo someone with that creates love or the person that
gives them. Clever stuff.
There
is a lot to like about the film. There is some tremendous acting in this film
and it all starts with Jim Carrey, who proves again that when he is
working on a dramatic film he has what it takes to create a true and honest
character. Your heartbreaks as he learns that Clementine has left him and that
feeling only deepens when he realizes, in horror, that he may lose every memory
of her as well. Kate Winslet is very good as well as, it’s very hard to
like her character, because she is a selfish, emotionally screwed up bitch, but
deep down she wants to be loved, and loved not because of what she represents –
freedom – but for who she is. She does a great job of creating that depth. I also
love the direction, which uses the many digital effects wonderfully. In many
scenes things will happen in the background that you don’t notice at first but,
when you do, the scene becomes not one of romance and melodrama but one of
horror as we realize just how these memories are being destroyed. There is
also a sense of horror to the film that is played very well. In Joel’s memories
people lose their faces, they blur, they become non-people and fade to
nothingness. Signs lose their words, houses collapse, it is as if his memories
are being attacked by a great natural disaster, which he can only run from and
hope to find safety during. And as much as the special effects may help to
create the feeling of horror, that something isn’t right, it’s Carrey
himself who truly sells this as its his shocked and horrified reactions to
what he is losing which gives this film its strength. The film is also very
ingenious in that there is a science fiction element – with the idea that you
can erase your memories with a special ‘treatment’, but this is done in such a
way as to make it almost UN-science fiction. The doctor’s office is cluttered
and cramped, his assistants and base and act like horny college students, and
the doctor himself, we learn, is far from the great humanitarian he may believe
himself to be. The real star though is the writing, which takes the idea of a
romantic break up and takes it to levels that are hard to conceive. As dark as
it gets, and as strange as the story becomes, this is a truly wonderful love
story that has volumes to say about the terrible beauty of love.
The music is also very well chosen and created in this film,
never once become intrusive but setting a tone and feeling in the film that
never betrays the story.
As
much as I adore this film though, it isn’t perfect. The end drags a bit, and so
much is thrown at the audience that it gets hard to keep everything straight
and I am sure some people will be utterly lost. And for many the film will be
far too surreal and strange to invest themselves into the emotional heart of
the film. But are these truly problems? Not really, but I have to think of something
that holds it back from being a ten. It’s great, just not GREAT!
The hell of it is that, as usual, it’s hard to really discuss
this film without spoilers, which is something I refuse to do. My job isn’t to
give away the movie, it’s to let you know whether it’s worth seeing, and my
answer is oh god yes. This is the perfect film to take someone special or to go
with friends and talk about afterwards over nice cold cola refreshments. There is
a lot to think about, a lot to talk about, and a lot to look for in a second
viewing, which will be all but necessary to understand everything that happens.
This is a very intelligent and very well done film. This is the kind of film
that it is an utter joy to see and to experience and I am very happy I caught
it in a theater, where all there was was darkness and this film. While Eternal
Sunshine was sadly neglected at the movie houses upon its release (imagine
that, a challenging film being ignored, that NEVER happens) I believe this is
one of those films that will enjoy a very vibrant life on DVD and video and
which will become a film we talk about for years and years to come. Congrats to
everyone on this film, but this film belongs to Charlie Kaufman and it
is to him we owe our thanks for creating such a rich and honest love story.
…c… |